Good design vs good SEO
Posted by Design Drops in Search engine optimisation, Website design on March 31st, 2011
Once upon a time, website designers only had to think about design – was the website functional? Did it meet design principles? Was it user-friendly?
Then, a few years back, someone cottoned on to the fact that it was no good having a pretty website if search engines couldn’t find it. And, lo, Search Engine Optimisation became the flavour of the moment.
And thus began the debate between designers and content providers.
I think we will all admit that both good design and good SEO is pretty important. We have all seen those content-driven websites that hurt our design-sensibilities; and at the same time, we are all probably well aware of gorgeous websites that may as well not exist because they are invisible to search engines.
Most clients want their website to get traffic – so SEO is vital. But, at the same time, they want their customers to hang around their site, so design is also a key element.
But how easy is is to acheive both? Or at least be content that you did the best – SEO or design – for a particular client.
Good news – content providers and designers don’t need to lock horns. Just follow these five steps.
1. Develop the design and the SEO simultaneously.
All keyword phrases need to researched, chosen and integrated into the design in its earliest drafts. From the text, to the tags, to the codes. Otherwise, the designer runs the risk of keywords being developed and added later, and stuffing up the visual appeal. Also, it could mean a change to the directory structure, which bring in a greater chance of errors such as broken links.
2. Remember the adage KISS (keep it simple, stupid)
Now that web design is well and truly established, there is no need to do too much fancy stuff on a web page (unless, of course, you are designing a site for yourself and you want to showcase your talent). People are no longer impressed by Flash and other once-fancy add-ons. In fact, almost the opposite - Flash can take a while to load and be frustrating when you are just looking for some quick information. And the bonus is, simple designs work much better with SEO – and are easy to alter if needed.
3. Sometimes design is king, sometimes SEO.
That’s right, you win some, you lose some. The key is to know which is which. Let SEO drive the website for removalist company, which relies on Google for business; and feed your artistic passion working on the website for the local interior designer, who relies on referrals, rather than the internet, to keep food on their table.
4. SEO is not the devil
If website designers are honest with themselves, they have always done SEO, in some form or another. It just didn’t have a name. Sure, there are some fly-by-night companies out there that are almost the modern-day equivalent of the snake oil salesman – promising clients top search enginge ranking and acting as if it’s some big secret. It’s not. It’s just a matter of basic knowledge of search engine algorithms and how wesbsites work.
5. Accept that sometimes your ‘perfect’ design will not work with the required SEO content.
And, vice versa. Sometimes design will win out, sometimes SEO. As long as it all balances out in the end – and the client is aware of and approves the necessary sacrifices – it really isn’t the end of the world.
Good luck.
Some great design blog and e-zine articles
Posted by Design Drops in Fonts, Graphic design, Logo design, Website design on March 17th, 2011
It seems Design Drops wasn’t the only blog thinking about fonts and typography in the past week. A quick read around the blogiverse come up with some fantastic font and typography-related posts at some of the most popular design-related blogs and e-zines.
Hongkiat looked into Fonts Used in Logos of Popular Brands, and admitted that with thousands of free fonts available these days, it can be hard to decide on the perfect typeface. (The instantly recognisable Facebook logo above, uses Klavika OT, released in 2004).
Remember to “like” us on Facebook, post your best cure for creative block and go in the draw to win an iPod.
Over at Smashing magazine, there’s an informative post about technical web typography techniques. It reminds the reader that 95 per cent of the web is typography and goes into some detail about the rules to apply when deciding on such things as font type and size.
Meanwhile, noupe has a fantastic tutorial on creating test effects and eye-catching typography using Adobe Illustrator.
While we’re on the subject of Illustrator, which might be considered too expensive or complicated for sole-operators, onesxtrapixel, provides readers with some alternative drawing programs, such as Corel Draw and GIMP.
To finish on a more serious note, French brand Kulte has posted on Design You Trust that it has designed and is selling a t-shirt with all profits going to the Japanese earthquake appeal.
5 great new fonts
Posted by Design Drops in Fonts on March 11th, 2011
Some people dream about winning the lottery, or finding the perfect partner, or landing the killer job. Me, I dream about designing the perfect font. It would be sans serif, and have applications for both business and personal use. It would be more professional than arial or verdana, but at the same time be as cheeky as gill sans, or calibri.
So, in honour of my heroes – the world’s font designers – may I present the best new fonts in the International Typeface Corporation’s library, as well as www.myfonts.com , www.fonts.com and other online rsources, over the past few months.
Delight is a fresh typeface that takes its cue from WWII advertising scripts. Even those of us that are not fans of script fonts will be charmed by this.
Zoo 300 is Green Type’s new geometric typeface. A nice sans serif with a casual feel.
Supria Sans, designed by Hannes Von Dohren, is both utalitarian and playful, depending on the weight and whether it is italicised. A clever, universal typeface.
Another Hannes Von Dohren typface, Klint is technical in appearance, it imparts authority and draws the reader in.
No collection would be complete without an example from the master of fonts, Matthew Carter. Carter has been designing fonts for about 40 years and was the brains behind Verdana and Tahoma.








