Archive for category Graphic design

Working at a creative agency. Is it for you?

A few posts ago, I gave some hints to help you decide if you were best suited to freelance or inhouse work. It’s now time to take a peak into the working lives of designers whose office is a creative agency.

There are a few different kinds of agencies – advertising, marketing, website design and graphic design, to name a few. For the purposes of this article, we will lump them altogether, although each can be slightly different.

Let’s look at some pros and cons of agency life.

1/ The workload.

Agency designers work reasonably hard. The hours are long and somewhat inflexible (no skiving off to go to the beach!) and clients can be demanding. The upside is, however, that designers who work at an agency can concentrate on designing. Someone else is marketing the business/balancing the books/stocking the tea room. And compared with inhouse desgners in such workplaces as Government agencies or large corporations, the work can be far more varied. After all, once a corporation has a “style” there’s not much room for creativity.

2/ The way you work.

In an agency, designers and others tend to work in small teams, led by a project manager. When the team “gels” it can be fantastic. Like-minded people bouncing creative ideas off each other can be pretty inspiring. Sounds good compared with the solo life of freelancing, which can get lonely at times. But what if the team does not gel? This does happen and if you work in an agency, you need to be prepared to take the good with the bad.

3/ The rewards

A good freelancer will most likely earn more money and have more freedom than someone at an agency. But he or she would have worked damn hard to get there. On the other hand, such things like job security and paid leave is not to be sneezed at.

Some freelancers, however, can find their “thing” and get stuck in a rut, rarely moving forward. In house designers have a neat career trajectory – maybe even to freelance work AFTER they have the established networks to make it work.

One big perk that agency (and inhouse) designers have over freelancing is that someone else is paying for the resources. And we all know some of those (especially the high-end software) can get pretty expensive).

4/ The challenges

Any job is challenging. Be it the difficult client, or boss; or the unreasonable deadlines. Agencies tend to have one of two “personalities” – corporate or creative. If the one you are working at suits your personality, that great. If not, let’s call it a “challenge” (or maybe a stepping stone – agency work is excellent for building a portfolio!).

As a freelancer, you have the freedom to make your own decisions. At an agency, it is the Managing Director (or sometimes even a Board of Directors) that makes the ultimate decisions. This can be frustrating.

5/ The fun stuff

As mentioned above, freelancing can get lonely at times, but it does have more flexibility. What this basically means is that the at work stuff might be a bit boring, but you get more opportunity to do the fun social stuff

Agency work can be fun too – how can they not be with all that hot-housed creativity? Some even have staff Wiis or pinball machines. And the coffee in the work cafe is always top notch.

So, for different reasons, either can be fun (and both are probably more fun than working inhouse)

We’d love to know more about experiences working at a design agency. Especially if you have also worked inhouse or freelance. How do they compare?

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10 unique business card designs

A business card says a lot about a person. It can tell a potential client or business partner whether your approach is likely to be corporate or whimsical, modern or retro.

And for you, the graphic designer, business cards can be a double bonus. Not only do you need the perfect card for yourself, but many of your clients need you to design perfect business cards for them and their staff.

We’re all used to the simple rectangular card that fits in the average wallet. But isn’t it sometimes fun to get inspiration from something a little out of the ordinary?

So, we here at Design Drops have done a little research and come up with the following (completely subjective) list of 10 unique business card designs. And before you complain, we are aware that some of them are completely impractical. But that’s not the point.

Enjoy.

Instead of a conventional business card, this makeup artist has a stamp, in the shape of a lipstick kiss, that can be applied to any material – like this napkin (above).

Or add a tactile touch to promote a petting zoo.

Dog tags for a pet adoption program.

How about a simple block puzzle? (Mind you with a URL like that, it doesn’t take much to make people sit up and take notice).

Using an old Pantone Card. Effective and environmental.

This artist’s card can transform into an easel.

How about an interchangeable pocket?

These cards are handed out flat but can be popped out into a paper doll. Makes you want to get some cut out dresses and relive your childhood.

Honesty is ALWAYS the best policy

Cheezy, but effective, card for a photographer.

And, finally, I know I said 10 business card designs, but I couldn’t resist this cheeky one from a divorce lawyer, who apparently leaves it at the front desk of motels. Read more here

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Rejection. Don’t take it personally.

If, after reading the previous post, you’ve decided that freelance is the way to go, then the next step is to ask yourself  ”how well do I handle rejection”.

Because, and here’s the thing, it will happen. More times than you care to think about

Most of the time, however, it’s really not personal. In fact, it could be due to any number of reasons, some of which are inexplicable. When you have poured your heart and soul into a project, however, it can be a crushing blow whan the client just simply doesn’t like it (or get it).

If you feel that rejection is getting you down, there are several stategies to handle the pain as well as minimise the chance of rejection in the future.

1. Remind yourself that EVERYONE, even he most talented, experienced designers get rejected now and then. In fact, if you never, or rarely, get rejected, it could be a sign your rates are too low.

2. Seek clarity about why you were rejected. It may well be that they liked your work, but had another designer come in cheaper. Or it may have been that they preferred another designer’s work. Next time, you could be the designer whose work someone prefers.

3.Take each rejection graciously. Don’t burn bridges because, while you were not the right fit for this project, you may be perfect for the next.

4. Use rejection as motivation and learn from it. Each time you pitch, you’re gaining valuable experience.

Rejection is a part of life. Unfortunately, as a freelancer it can be a pretty big part of life. Staff designers go for their jobs once, freelancers are doing it time and time again. But, as they say, what doesn’t kill you makes you a better designer.

We would love to hear from people about their strategies for handling rejection – chocolate is always a safe bet.

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