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chapter.
A ligature occurs where two or more letterforms are written
or printed as a unit. Generally, ligatures replace characters
that occur next to each other when they share common components.
Ligatures are a subset of a more general class of figures
called ``contextual forms.'' Contextual forms describe the
case where the particular shape of a letter depends on its
context (surrounding letters, whether or not it's at the
end of a line, etc.).
One of the most common ligatures is ``fi''. Since the
dot above a lowercase 'I' interferes with the loop on the
lowercase 'F', when 'f' and 'i' are printed next to each
other, they are combined into a single figure with the dot
absorbed into the 'f'.
An example of a more general contextual form is the greek
lowercase sigma. When typesetting greek, the selection of
which 'sigma' to use is determined by whether or not the
letter occurs at the end of the word (i.e., the final position
in the word).
- Amanda Walker provides the following discussion of ligatures:
Ligatures were originally used by medieval scribes
to conserve space and increase writing speed. A 14th
century manuscript, for example, will include hundreds
of ligatures (this is also where ``accents'' came from).
Early typefaces used ligatures in order to emulate the
appearance of hand-lettered manuscripts. As typesetting
became more automated, most of these ligatures fell
out of common use. It is only recently that computer
based typesetting has encouraged people to start using
them again (although 'fine art' printers have used them
all along). Generally, ligatures work best in typefaces
which are derived from calligraphic letterforms. Also
useful are contextual forms, such as swash capitals,
terminal characters, and so on.
A good example of a computer typeface
with a rich set of ligatures is Adobe Caslon (including
Adobe Caslon Expert). It includes:
Upper case, lower case, small caps, lining numerals,
oldstyle numerals, vulgar fractions, superior and inferior
numerals, swash italic caps, ornaments, long s, and
the following ligatures:
ff fi fl ffi ffl Rp ct st Sh Si Sl SS St (where S=long
s)
[Ed: Another common example is the Computer Modern
Roman typeface that
is provided with TeX. this family of fonts include the
ff, fi, fl, ffi, and ffl ligatures which TeX automatically
uses when it finds these letters juxtaposed in the text.]
While there are a large number number of possible
ligatures, generally only the most common ones are actually
provided. In part, this is because the presence of too
many alternate forms starts reducing legibility. A case
in point is Luxeuil
Miniscule, a highly-ligatured medieval document hand
which is completely illegible to the untrained eye (and
none too legible to the trained eye, either :)).
- Don Hosek offers the following insight into ligatures:
Ligatures were used in lead type, originally in imitation
of calligraphic actions (particularly in Greek which
retained an excessive number of ligatures in printed
material as late as the 19th century), but as typefaces
developed, ligatures were retained to improve the appearance
of certain letter combinations. In some cases, it was
used to allow certain letter combinations to be more
closely spaced (e.g., ``To'' or ``Vo'') and were referred
to as ``logotypes''. In other cases, the designs of
two letters were merged to keep the overall spacing
of words uniform. Ligatures are provided in most contemporary
fonts for exactly this reason.
- Liam Quin makes the following observations:
The term ligature should only be used to describe
joined letters in printing, not letters that overlap
in manuscripts.
Many (not all) accents came from the practice of using
a tilde or other mark to represent an omitted letter,
so that for example the Latin word `Dominus' would be
written dns, with a tilde or bar over the n. This is
an abbreviation, not a ligature.
Most ligatures vanished during the 15th and 16th Centuries.
It was simply too much work to use them, and it increased
the price of book production too much.
[Ed: there is no ``complete'' set of ligatures.]
Excerpted from The
comp.fonts FAQ, Copyright © 1992-96 by Norman
Walsh
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